The Danish composers and improvisers Randi Pontoppidan and Christian Rønn are releasing their second joint album, Shadow Moves. The album builds on their critically acclaimed debut HeadSpace (Chant Records, 2020) and explores new musical landscapes, where prepared piano, extended vocal techniques, and live electronics merge into an organic expression.
Shadow Moves moves between lush acoustic textures and raw, abstract soundscapes, inviting the listener on intergalactic journeys where time and gravity dissolve. A genre-free work that challenges the boundaries of musical communication and invites deeper engagement and repeated listening.
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Blue Lake reveals his most ambitious album ‘The Animal’ , which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.

Growing up in Dallas, Texas, Du...

The Danish composers and improvisers Randi Pontoppidan and Christian Rønn are releasing their second joint album, Shadow Moves. The album builds on their critically acclaimed debut HeadSpace (Chant Records, 2020) and explores new musical landscapes, where prepared piano, extended vocal techniques, and live electronics merge into an organic expression.
Shadow Moves moves between lush acoustic textures and raw, abstract soundscapes, inviting the listener on intergalactic journeys where time and gravity dissolve. A genre-free work that challenges the boundaries of musical communication and invites deeper engagement and repeated listening.
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Blue Lake reveals his most ambitious album ‘The Animal’ , which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.

Growing up in Dallas, Texas, Dungan then moved around for many years, living in both Europe and the USA, before finding a close connection to the Danish capital Copenhagen, where he now resides, a location heavily spotlighted in recent years as fertile creative ground for fellow experimental artists like Astrid Sonne, ML Buch and Clarissa Connelly. This well travelled upbringing would no doubt prove of spiritual significance on Dungan’s emergence as a singular artistic voice, traversing the planes of Ambient, Americana, with hues of Kosmische, uniquely infused with his own Nordic aesthetic.

The solo project (Blue Lake), now on its fifth album, found its name and inspiration via Don Cherry’s 1974 live album, sparking a creative epiphany in Dungan, who set off on a path into his own untapped sonic world, guided by what he cited as the emotional potential found within non-lyrical composition. With a newly inspired ethos aimed toward creating direct and simple instrumental music imbued with a deep sense of feeling, Jason began combining an array of musical elements that gave rise to his highly revered album ‘Sun Arcs’ (2023), with its “ornate, zither-led lattices” (Pitchfork, Best New Music). Conceived in the blissful isolation of a Swedish cabin set in the woods, this was music that soundtracked spring in full bloom. Then, in contrast to the solitary approach of ‘Sun Arcs’, the highly lauded mini-album ‘Weft’ (2025) began to set the tone for a more band-oriented approach to delivering the Blue Lake sound. Jason had by this time experienced a special collective energy with his band during a swathe of live performances, which he then sought to harness and distill on ‘The Animal’, leading him to take the project into a traditional recording studio (The Village) and its limitless potential along with his gifted cohorts.

‘The Animal’ at its core vividly celebrates human collaboration and is deeply rooted in a sense of community and non-hierarchical connectivity. The group's creative alchemy transcends outwards and beyond the musicians performing together, to summon an inclusive, existential and ecological connection to the wider world and its inhabited spaces. The album contemplates the idea of the human as an animal as Dungan explains: “I’m quite fascinated in thinking about humans more as part of the animal environment and not as something that’s so separated into a “human” realm, or sitting on top of a hierarchical pyramid. So the Animal is also me, or us - that we are just living, existing, in the same way as a piece of moss or a sparrow or a cow....

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