Den legendariske saxofonist Jesper Zeuthen fylder senere 70 i år, og er i topform.
Ensemblet her spiller med Zeuthens egne ord “den musik jeg har ledt efter siden 1969”. Trioen har for alvor fået vind i sejlene på det seneste, efter at have udgivet pladen Out of the Spectacle, som fik følgende anmeldelse i Down Beat: http://jacobanderskov.dk/wp-content/uploads/2018/11/Anderskov_reviews_DownBeat_DECEMBER_2018.pdf - og måske også påvirket af Anderskovs nominering til Nordisk Råds Musikpris sidste år.

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lyttelink: https://soundcloud.com/anders-vestergaard/sets/zeuthenanderskovvestergaard-out-of-the-spectacle-excerpts/s-PNw3s
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Press quotes:

All About Jazz
"These three musicians seem to dig at the roots of music, trying to find a language that is ...

Den legendariske saxofonist Jesper Zeuthen fylder senere 70 i år, og er i topform.
Ensemblet her spiller med Zeuthens egne ord “den musik jeg har ledt efter siden 1969”. Trioen har for alvor fået vind i sejlene på det seneste, efter at have udgivet pladen Out of the Spectacle, som fik følgende anmeldelse i Down Beat: http://jacobanderskov.dk/wp-content/uploads/2018/11/Anderskov_reviews_DownBeat_DECEMBER_2018.pdf - og måske også påvirket af Anderskovs nominering til Nordisk Råds Musikpris sidste år.

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lyttelink: https://soundcloud.com/anders-vestergaard/sets/zeuthenanderskovvestergaard-out-of-the-spectacle-excerpts/s-PNw3s
-------------------------------------------------------------------------------

Press quotes:

All About Jazz
"These three musicians seem to dig at the roots of music, trying to find a language that is both new and fresh and old and forgotten."

Salt Peanuts
"A masterpiece, in my opinion!"

Downbeat Magazine
"The recording opens with an extended duo passage between pianist and drummer, summoning a herky-jerk propulsion, before Zeuthen's cool alto enters, blowing probing lines with a vibrato-rich nasal tone. The trio coalesces around his lines, which roam freely but remain deeply engaged with the action around him. As the record unfolds, Zeuthen injects some Balkan-style melody, as well as Ayleresque intensity, turning up the vibrato, while the other musicians powerfully prod and respond.”...

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