NB. The concert with Madeleine Peyroux will be postponed to 2023 due to COVID. Here is her management's statement:
Unfortunately Madeleine Peyroux has to postpone her upcoming January/February European Tour. She has fallen ill with COVID, despite being vaccinated and boosted. All dates will be moved to January/February 2023. More details to be announced shortly.
Madeleine is extremely saddened about this last minute postponement. She is very much looking forward to being able to perform the Careless Love Forever World Tour when well, and is especially looking forward to seeing you. Until then, she wishes you the best of careless love.
Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence...
NB. The concert with Madeleine Peyroux will be postponed to 2023 due to COVID. Here is her management's statement:
Unfortunately Madeleine Peyroux has to postpone her upcoming January/February European Tour. She has fallen ill with COVID, despite being vaccinated and boosted. All dates will be moved to January/February 2023. More details to be announced shortly.
Madeleine is extremely saddened about this last minute postponement. She is very much looking forward to being able to perform the Careless Love Forever World Tour when well, and is especially looking forward to seeing you. Until then, she wishes you the best of careless love.
Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.
Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”
The curious teenager started skipping school to frequent the city’s Latin Quarter where street musicians dwelled, keen to learn about their music and way of life. At 16, the fearless teen joined the Lost Wandering Blues and Jazz Band with whom she toured the streets of Europe, discovering Bessie Smith and Billie Holiday while “voraciously picking up all the songs and all the guitar playing” she could.
The two-year touring adventure set Madeleine on a creative path for life and proved to be a gateway to greater things. In 1991 the band travelled to New York where Madeleine’s unique talents were spotted by Atlantic Records’ Yves Beauvais. The young singer declined the music executive’s initial record deal offer but relented several years later and in 1996 her breakthrough album Dreamland was released.
Dreamland cemented Madeleine Peyroux as a ‘classic’ musical talent that was here to stay, and the soulful singer found herself touring the world, singing with the Lincoln Center Jazz Orchestra and opening for Cesaria Evora.
Extensive touring took its toll on Madeleine’s voice and Jazz’s new star failed to complete recording sessions for her second Atlantic record. Unable to “make money without singing”, Madeleine made several futile attempts at odd jobs, and soon “went into hibernation”.
The new millennium signaled new hope with a return to the Big Apple and a Sony Records deal but the collaboration was short lived. Madeleine was dropped from the label in a move she remembers as casting a “big blow” to her ego.
The defiant artist rolled up her sleeves, continued playing on the street, booked herself in New York clubs through local promoters who remembered her Dreamland heyday and began collaborating with William Galison.
Madeleine’s never-say-die spirit bore fruit. In 2003 she signed to Rounder Records and embarked on a game-changing, lifelong collaboration with multi Grammy winning producer Larry Klein (Joni Mitchell, Walter Becker, Herbie Hancock).
The prolific partnership has now spanned many years and created universally acclaimed albums, hailed by many as timeless classics.
Careless Love (2004) was a rich collection of cover versions with tunes from Bob Dylan to James P Johnson, and included Peyroux’s milestone rendition of Leonard Cohen’s Dance Me to the End of Love. For the sole original on the album, producer Klein and Jesse Harris co-wrote Madeleine’s signature tune and many fans’ favorite, Don’t Wait Too Long. With sales of half a million copies the album shifted Peyroux from the exclusive Jazz realm into the mainstream arena.
While Peyroux was introduced as a jazz artist, her influences spanned far beyond one genre—and the compositions selected for Careless Love showcased this versatility. From inspired interpretations of songs by Elliot Smith (“Between the Bars”), Leonard Cohen (“Dance Me to the End of Love”), and Hank Williams (“Weary Blues”), to more traditional fare made famous by Bessie Smith (“Don’t Cry Baby”), Billie Holiday (“No More,” “I’ll Look Around”), and Josephine Baker (“J’ai Deux Amours”), Careless Love offered something for every music fan.
16 years later, Peyroux continues to record, perform, and challenge the confines of jazz through such albums as Half the Perfect World (2006), Standing on the Rooftop (2011), and The Blue Room (2013). In 2014, she released a career retrospective, Keep Me in Your Heart for a While: Best of Madeleine Peyroux, while in 2018, she released her eighth studio album and latest collaboration with Larry Klein, Anthem.
To celebrate the reissue of her album classic, Madeleine Peyroux is scheduled to return to the road on an extensive Careless Love tour around the world. The tour represents the first time Peyroux will play the beloved album front-to-back.
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