Since 2015, Nina Garcia has explored the electric guitar as a field of sonic research at the intersection of improvised music and noise. With a deliberately minimal setup of guitar, pedal and amplifier, she sculpts dense and volatile sound worlds that move between fragility and force, drawing audiences into immersive spaces of heightened intensity.

Her solo work focuses on gesture and a deep investigation of the instrument’s resonances, limits and hidden textures. Each performance becomes a physical dialogue between performer and guitar, where technical mastery meets radical freedom and raw poetry emerges through tension, vibration and rupture. Her approach feels less like a solo and more like an encounter between two equal forces.

Alongside her solo practice, she performs in Autoreverse with Arnaud Rivière, in duo with Maria Bertel and Camille Émaille, in the rock band mamiedaragon, and as a member of the improvisation ensemble Le Un. She has collabor...

Since 2015, Nina Garcia has explored the electric guitar as a field of sonic research at the intersection of improvised music and noise. With a deliberately minimal setup of guitar, pedal and amplifier, she sculpts dense and volatile sound worlds that move between fragility and force, drawing audiences into immersive spaces of heightened intensity.

Her solo work focuses on gesture and a deep investigation of the instrument’s resonances, limits and hidden textures. Each performance becomes a physical dialogue between performer and guitar, where technical mastery meets radical freedom and raw poetry emerges through tension, vibration and rupture. Her approach feels less like a solo and more like an encounter between two equal forces.

Alongside her solo practice, she performs in Autoreverse with Arnaud Rivière, in duo with Maria Bertel and Camille Émaille, in the rock band mamiedaragon, and as a member of the improvisation ensemble Le Un. She has collaborated with artists including Sophie Agnel, Stephen O'Malley, Fred Frith and Leïla Bordreuil. Her work has been presented on major international stages and within contexts such as Shape+ and GRM, and she is also active in developing experimental music formats for children and young audiences.

14/02/2025, 20:00 at Musikcaféen

☉☉☉☉

Final Descent Into Vinterjazz
Two nights, two stages and ten acts exploring the outer edges of jazz – from manic noise rock, complex math and monolithic drone rock to minimalist shoegaze, solo performances, electronic experiments and even a detour to a Ghanaian percussion legend.

Final Descent Into Vinterjazz is a collaboration between Final Descent and HUSET CPH, presenting a deep dive into everything jazz can also be, spread across the two top floors of Huset.

Lineup: Bali Snak (DK) / Basile Bremaud (FR) / Hands on Fire (INT) / Nightmaries (DK) / Nina Garcia (FR) / Nuri (TN) /  Okeyrema Asante (GH) / Portal Pets (DK) / Selvhenter (DK) / Tanz Mein Herz (FR)


Date: Friday 13.02.25 & Saturday 14.02.25
Doors: 18:30
Show: 19:00
Price: 100 DKK for one concert / 150 DKK for one evening / 250 DKK for both evenings
Venue: Musikcaféen & Xenon, Huset Kbh, Rådhusstræde 13, 1466 Copenhagen

Program:

Friday 13/02/2025
18:30 Doors
19:00 Okeyrema Asante (GH)
20:00 Bali Snak (DK)
21:00 Basile Bremaud (FR)
22:00 Portal Pets (DK)
23:00 Nuri (TN)

Saturday 14/02/2025
18:30 Doors
19:00 Selvhenter (DK)
20:00 Nina Garcia (FR)
21:00 Hands On Fire (INT)
22:00 Nightmaries (DK)
23:00 Tanz Mein Herz (FR)...

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