Jonathan Aardestrup, bass and Christian Rønn, piano plays the first half of the concert this night at Metronomen on Frederiksberg. The newly formed collaboration centers around intense interplay and a wideopen playing practice.

Both are well known on the the danish and interntional scene for improvised music and have worked with an abundance of artists and are behind a big spectrum of acclaimed releases with collabs spanning genres like freejazz, postpunk, contemporary classic, electronica and soundart.

Petra Sanggaard and Sarah Buchner present a first encounter of two improvisers that are approaching their instruments with a fascination of extended technique, and a devotion towards realising its potential to its fullest. Petra Sanggaard is a danish experimental artist, trumpet player and improvisor, her sound can both be loud, misshapen and unrestrained, as well as incredibly minute and delicate, exploring the effect of every tiny movement and change tha...

Jonathan Aardestrup, bass and Christian Rønn, piano plays the first half of the concert this night at Metronomen on Frederiksberg. The newly formed collaboration centers around intense interplay and a wideopen playing practice.

Both are well known on the the danish and interntional scene for improvised music and have worked with an abundance of artists and are behind a big spectrum of acclaimed releases with collabs spanning genres like freejazz, postpunk, contemporary classic, electronica and soundart.

Petra Sanggaard and Sarah Buchner present a first encounter of two improvisers that are approaching their instruments with a fascination of extended technique, and a devotion towards realising its potential to its fullest. Petra Sanggaard is a danish experimental artist, trumpet player and improvisor, her sound can both be loud, misshapen and unrestrained, as well as incredibly minute and delicate, exploring the effect of every tiny movement and change that happens in the space. Sarah Buchner is an experimental vocalist, composer and puppet enthusiast based in Copenhagen. Her work explores the outer edges of vocal human expression through improvisation and composition. Her playful, yet destructive approach to aesthetic expectations towards vocals, is a result of artistic self-radicalization and joy. Occasionally she uses various flutes and objects as extensions of her resonance body....

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