THE END: World Class Jazz Fusion Since 1986

Danish vibraphonist percussionist and composer Morten Grønvad founded THE END in 1986 as a vehicle for his unique brand of jazz fusion, where hard grooving beats meet beautiful lyrical melodies with a unique signature sound mainly distinguished by his original compositions and the sound of his MIDIfied vibes. THE END has released three wellreceived

albums: “Matter of Fact” (1991), “Global Village” (1996), and “BrainBuilders” (2008).

THE END’s music is characterized by a strong emphasis on melody, harmony, and rhythm, creating a captivating and dynamic listening experience. The band’s sound is both modern and timeless, drawing inspiration from a wide range of musical traditions, including jazz, funk, rock, and world music.

THE END’s unique sound owes much to Morten Grønvad’s MIDI-enhanced vibraphone, which allows the use of synthesizers in combination with the vi...

THE END: World Class Jazz Fusion Since 1986

Danish vibraphonist percussionist and composer Morten Grønvad founded THE END in 1986 as a vehicle for his unique brand of jazz fusion, where hard grooving beats meet beautiful lyrical melodies with a unique signature sound mainly distinguished by his original compositions and the sound of his MIDIfied vibes. THE END has released three wellreceived

albums: “Matter of Fact” (1991), “Global Village” (1996), and “BrainBuilders” (2008).

THE END’s music is characterized by a strong emphasis on melody, harmony, and rhythm, creating a captivating and dynamic listening experience. The band’s sound is both modern and timeless, drawing inspiration from a wide range of musical traditions, including jazz, funk, rock, and world music.

THE END’s unique sound owes much to Morten Grønvad’s MIDI-enhanced vibraphone, which allows the use of synthesizers in combination with the vibraphone, creating a richly varied sonic universe that complements his lyrical yet assertive playing style.

After a few years’ absence, audiences can once again enjoy the return of THE END’s original saxophonist, Thomas Hass. His beautiful and all-encompassing melodic playing style is delivered with a profound presence and virtuosity that demonstrates a deep respect for the music.

One hallmark of THE END’s music has always been its strong rhythmic drive, which is now carried forward by Swedish-Italian drumming phenomenon Niclas Campagnol. Niclas’ playing is world-class, showcasing unmatched musicality and breathtaking technique.

His powerhouse beats are perfectly matched by the Cuban super-bassist Yasser Pino, whose rhythmic foundation is deeply rooted in the Cuban music tradition, upon which he has developed a unique, funky fusion style. Together, they form the solid and groovy foundation that underpins a powerful and engaging musical experience.

Discograph:
THE END: Matter of Fact (Stunt Records 1991)
THE END: Global Village (Ethnotronic 1996)
THE END 2.0: BrainBuilders (Ethnotronic 2008)...

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