Lueenas:

Since 2019, Lueenas has quickly emerged as a fresh new voice in the Danish film scene. Rebelling against the idea of the composer as a sologeni, they are the first in DK to create a "filmscore band" that insists on collaboration as a vital part of their composition process. A process that involves thorough experimentation with the limits of their stringed instruments and playing with the boundaries between acoustic, amplified and electronic sound sources as an important part of their process.
In the past year, they have created works for the National Museum of Denmark, films for Nordisk Film and several series for DR, and worked with some of Copenhagen's unique figures in film production. Tone Ottilie, Martin De Thurah, on the film Baby Pyramid by Cecilie McNair - for which they were nominated for a Robert and most recently they were nominated as composers of the year at Carl Prisen.
The self-titled album, Lueenas from November 2022 - released on C...

Lueenas:

Since 2019, Lueenas has quickly emerged as a fresh new voice in the Danish film scene. Rebelling against the idea of the composer as a sologeni, they are the first in DK to create a "filmscore band" that insists on collaboration as a vital part of their composition process. A process that involves thorough experimentation with the limits of their stringed instruments and playing with the boundaries between acoustic, amplified and electronic sound sources as an important part of their process.
In the past year, they have created works for the National Museum of Denmark, films for Nordisk Film and several series for DR, and worked with some of Copenhagen's unique figures in film production. Tone Ottilie, Martin De Thurah, on the film Baby Pyramid by Cecilie McNair - for which they were nominated for a Robert and most recently they were nominated as composers of the year at Carl Prisen.
The self-titled album, Lueenas from November 2022 - released on Copenhagen label Barkhausen Recordings - is the first release made without a visual accompaniment. Maria Jagd and Ida Duelund have created the unique soundscapes over a year of improvised sessions, which is influenced by their involvement in other projects across pop, jazz, electronic, experimental and post-classical music.

J. Ludvig III:

Few musicians dare to be as uncompromisingly honest as J. Ludvig III is on his debut album 'Sadboy Fusion' from 2021′. Here he has taken a step back from his work with the popular trio Athletic Progression and as a musician for Erika de Casier and others. Through what he describes as a diary of a turbulent two-year period of isolation and uncertainty, he has created an album that in its existentialism touches on loneliness, family, mental health and death.
Through Ludvigsen's equilibristic performance, where one moment you’ll experience Jonathan singing a duet with samples of himself, to the next where he and his band break out into avantgarde beat music, where you lose track of what is composed and what is improvised, you will experience a culmination in the meeting of complexity and intimacy. The band in its unconventional formation appears as an invitation into an orchestra pit where the musicians have taken the lead roles in a post-dramatic play.

Doors at 20.00

Photos: Lei Gellett and Thomas Seidelin...

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